Who dated Itō Noe?

Itō Noe (伊藤 野枝; January 21, 1895 – September 16, 1923) was a Japanese anarchist, social critic, author, and feminist. She was the editor-in-chief of the feminist magazine Seitō (Bluestocking). Her progressive anarcha-feminist ideology challenged the norms of the Meiji and Taishō periods in which she lived. She drew praise from critics by being able to weave her personal and political ideas into her writings. The Japanese government, however, condemned her for challenging the constructs of the time. She became a martyr of the anarchist ideology in which she believed during the Amakasu Incident, when she was murdered along with her lover, anarchist author Ōsugi Sakae, and his nephew.

Ōsugi Sakae (japanisch 大杉 栄; * tatsächlich am 17. Januar 1885, nach amtlichen Unterlagen am 1. Mai in Marugame, Kagawa; † 16. September 1923 in Tokio) war der bedeutendste sozialistische, später anarcho-syndikalistische Aktivist, Publizist und Theoretiker der Taishō-Zeit. Er vertrat eine stark anti-autoritäre Ideologie, die die individuelle Freiheit als höchstes Gut sah.

Er wurde am 16. September 1923 in Tokio von Militärpolizisten zusammen mit seiner zweiten Frau Itō Noe und einem Neffen ermordet. Die Bluttat ist als Amakasu-Zwischenfall bekannt.

Tsuji Jun (辻 潤, Tsuji Jun; October 4, 1884 – November 24, 1944) was a Japanese author: a poet, essayist, playwright, and translator. He has also been described as a Dadaist, nihilist, Epicurean, shakuhachi musician, actor and bohemian. He translated Max Stirner's The Ego and Its Own and Cesare Lombroso's The Man of Genius into Japanese.

Born in Tōkyō, Tsuji sought escape in literature from a childhood he described as "nothing but destitution, hardship, and a series of traumatizing difficulties". He became interested in the works of Tolstoy, Kōtoku Shūsui's socialist anarchism, and the literature of Oscar Wilde and Voltaire, among many others. Later, in 1920 Tsuji was introduced to Dada and became a self-proclaimed first Dadaist of Japan, a title also claimed by Tsuji's contemporary, Shinkichi Takahashi. Tsuji became a fervent proponent of Stirnerite egoist anarchism, which would become a point of contention between himself and Takahashi. He wrote one of the prologues for famed feminist poet Hayashi Fumiko's 1929 (I Saw a Pale Horse (蒼馬を見たり, Ao Uma wo Mitari) and was active in the radical artistic circles of his time.