Who dated Alfred de Musset?

  • Caroline Jaubert dated Alfred de Musset from ? until ?. The age gap was 7 years, 6 months and 5 days.

  • Aimée d'Alton dated Alfred de Musset from ? until ?. The age gap was 0 years, 9 months and 9 days.

  • Louise Rosalie Allan-Despreaux dated Alfred de Musset from ? until ?. The age gap was 0 years, 9 months and 21 days.

  • Rachel Félix dated Alfred de Musset from ? until ?. The age gap was 10 years, 2 months and 17 days.

  • Anaïs Bosio dated Alfred de Musset from ? until ?. The age gap was 2 years, 3 months and 16 days.

  • Louise Colet dated Alfred de Musset from ? until ?. The age gap was 0 years, 2 months and 26 days.

  • George Sand dated Alfred de Musset from until . The age gap was 6 years, 5 months and 10 days.

Alfred de Musset

Alfred de Musset

Alfred Louis Charles de Musset-Pathay (French: [alfʁɛd mysɛ]; 11 December 1810 – 2 May 1857) was a French dramatist, poet, and novelist. Along with his poetry, he is known for writing the autobiographical novel La Confession d'un enfant du siècle (The Confession of a Child of the Century).

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Caroline Jaubert

born
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Alfred de Musset

Alfred de Musset
 

Aimée d'Alton

born
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Alfred de Musset

Alfred de Musset
 

Louise Rosalie Allan-Despreaux

Louise Rosalie Allan-Despreaux

Louise Rosalie Allan-Despreaux (1810 – March 1856) was a French actress.

She was "discovered " by François Joseph Talma at Brussels in 1820, when she played Joas with him in Athalie. At his suggestion she changed her surname, Ross, for her mother's maiden name, and, as Mlle. Despreaux, was engaged for children's parts at the Comédie-Française. At the same time she studied at the Conservatoire. By 1825 she had taken the second prize for comedy, and was engaged to play ingenue parts at the Comédie-Française, where her first appearance in this capacity was as Jenny in L'Argent on 8 December 1826.

In 1831 the director of the Gymnase succeeded in persuading her to join his company. Her six years at this theatre, during which she married Allan, an actor in the company, were a succession of triumphs. She was then engaged at the French theatre at St. Petersburg, a scene praised by the Russian aristocracy and the Imperial family.

Returning to Paris, she brought with her, as Legouve says, a thing she had unearthed, a little comedy never acted until she took it up, a production half-forgotten, and esteemed by those who knew it as a pleasing piece of work in the Marivaux style: Un Caprice by Alfred de Musset, which she had played with success in French in St. Petersburg. Her selection of this piece for her reappearance at the Comédie-Française (1847) laid the cornerstone of Musset's lasting fame as a dramatist. In the following year his comedy Il ne faut jurer de rien was acted at the same theatre, and thus led to the production of his finer plays.

Among plays by other authors in which Mlle Allan-Despreaux won special laurels at the Comédie-Française, were Par droit de conquête, Péril en la demeure, La joie fait peur, and Lady Tartuffe. In the last, with a part of only fifty lines, and playing by the very side of the great Rachel, she yet held her own as an actress of the first rank.

Mlle Allan-Despreaux died in Paris, in the height of her popularity, in March 1856.

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Alfred de Musset

Alfred de Musset
 

Rachel Félix

Rachel Félix
born
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Alfred de Musset

Alfred de Musset
 

Anaïs Bosio

Anaïs Bosio

Angélique Félicité Anaïs Bosio, par son mariage marquise de La Carte, est une salonnière française née le à Paris et morte le à Pau.

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Alfred de Musset

Alfred de Musset
 

Louise Colet

Louise Colet
born
Description to be added soon.
 

Alfred de Musset

Alfred de Musset
 

George Sand

George Sand

Amantine Lucile Aurore Dupin de Francueil (French: [amɑ̃tin lysil oʁɔʁ dypɛ̃]; 1 July 1804 – 8 June 1876), best known by her pen name George Sand (French: [ʒɔʁʒ(ə) sɑ̃d]), was a French novelist, memoirist and journalist. Being more renowned than either Victor Hugo or Honoré de Balzac in Britain in the 1830s and 1840s, Sand is recognised as one of the most notable writers of the European Romantic era. She has more than 50 volumes of various works to her credit, including tales, plays and political texts, alongside her 70 novels.

Like her great-grandmother, Louise Dupin, whom she admired, George Sand advocated for women's rights and passion, criticized the institution of marriage, and fought against the prejudices of a conservative society. She was considered scandalous because of her turbulent love life, her adoption of masculine clothing, and her masculine pseudonym.

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